Pro16-03 50D Super 16 Package – Pro8mm

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Pro8mm packages are a Super 16mm workflow and include: Pro8mm premium Super 16mm silent film: Available in 100’ single perf, daylight spools or 400' single perf core loads. Film is compatible with Super 16mm film cameras and can be used with 16mm cameras with a single claw. Our award winning prepaid chemical processing
Pro8mm packages are a Super 16mm workflow and include: Pro8mm premium Super 16mm silent film: Available in 100’ single perf, daylight spools or 400' single perf core loads. Film is compatible with Super 16mm film cameras and can be used with 16mm cameras with a single claw. Our award winning prepaid chemical processing Optional digital scanning onto a flash drive, hard drive or digital upload (drives and upload not included). Choose one of our 5 distinct levels based on your project. Also includes prep and clean. The Pro16-03 stock is best used in bright outdoor light. It is great for the snow, the beach, or anywhere full sun is available. It is a low-speed daylight film with an expansive dynamic range. ASA 50 daylight Kodak Vision 3; 13 stops of latitude. Choose from one of our 5 package types: Film & Processing Only: Film stock and chemical developing (no digital scan included- film will come back on a reel.) Basic: Film, process and scan at a basic level. Progressive 720p HD format. Best light color setting. 18p or 24p playback frame rates. 4x3 framing. Output to .mp4, a universal quicktime or windows media file ideal for internet viewing. Best for internet or direct viewing. Production: Film, process and scan progressive up to 2K ( 2048 x 1556 Full Aperture 2K 4x3 or 2048 x 1080 Cinema 2K 1920 X 1080. Log (Flat Scan) or Best Light color timing Scan. 18p, 24p, 25p or 18 in 24p playback frame rates. Overscan, Full Format, Framed or Matted framing options. Output to a variety of ProRes codecs (Like 422 or 4444). Best for high quality, professional use, using your own production tools for professional work or home movies. Optional Rec 709 Color Correction Plus Add on. Advanced: Up to 4K (i.e: U-HD 3840 x 2160 , 4K Full Aperture 4096 x 3112). Log (Flat) or Best Light color timing options. 16p, 18p, 24p, 25p, or 18 in 24p playback frame rates. Overscan, Full Format, Framed or Matted framing options. Best for production, archival or theatrical film projects and using your own post production tools. Output to a variety of ProRes codecs or DPX (up to 2K). Optional Rec 709 Color Correction Plus Add on. Ultimate: Scan up to 6.5K using the latest in scan technology. 6464 X 4848 6.5K Full Aperture (4x3), 6464 X 3636 6.5K (16X9),U-HD 3840 x 2160, 4K Full Aperture, 4096 x 3112 or create your own.) New HDR, Log (flat) or Best Light color timing options. Playback frame rates of 16p, 18p, 24p, 25p, or 18 in 24p, 30p frame and more. Overscan, Full Format, Framed or Matted framing options. Output to DPX 4K, 10-Bit, 16-Bit, Black and White and Color, TIFF 16-Bit, new ProRes 4444 XQ, AVI and more. The ultimate experimentation with your Super 8 film. Optional Rec 709 Color Correction Plus Add on. Return a Package with SPROCKET! Visit Sprocket for a complete set of up to date digital mastering options and to make your digital mastering selections after your film is shot! Sprocket will help you select turn around times, custom processing options, framing, file sizes, file delivery, return shipping and more. Hard drives, Flash drives and global access digital upload are NOT included. Choose your option here or when you return the film back to Pro8mm for process and scan with SPROCKET. When film is returned for processing and scan, all rolls will be prepped together onto one reel and one digital file per 400 feet. No exceptions. Individual files are available for an extra fee. Ghost - Music Video Mellowdrone - I Don't Believe It from Manuel Vargas on Vimeo. Production Scan | Daytime Shots use 50D | Film by Daniel Grisak