François-Auguste Biard, Bust-Length Study of a Man

lt;b>The Artist:</b> Biard made his debut at the Paris Salon in 1824, and his success was assured through the awarding of a second-class medal in 1827 and a first-class medal in 1836. The Salon would be a mainstay of Biard’s career and he treated it as the subject of what is arguably his most emblematic painting, <i>The Salon, 4:00 in the Afternoon</i> (1847, Musée du Louvre, Paris, RF 2347), which depicts visitors to the exhibition and its guards losing attention and their sense of decorum at the end of a long day

Francois-Auguste Biard Art Collection

In Plain Sight, Colin B. Bailey

G. Grosz. Untitled. 1920 Oil on canvas. Dusseldorf, Art collection

François-Auguste Biard, La Fuite des esclaves (The Flight of the

May Alcott Nieriker, Crimean War Veteran, 1877. Watercolor. Louisa

François-Auguste Biard, La Fuite des esclaves (The Flight of the

Juliette Aristides [NRA 2021]

Van Gogh and the Avant-Garde: The Modern Landscape

African American Male Paintings for Sale (Page #6 of 11) - Pixels

NCAW, Volume 22, Issue 2

Curatorial Insight: Denise Murrell

The scribe Dedusobek with his daughter seated on his lap

Paris Nord on Art